PLDT powers up Naga City’s Peñafrancia festival
As a way of paying homage to the Lady of Peñafrancia in Naga City in the Bicol region, PLDT powers up the Peñafrancia festival, one of the biggest religious and civic celebrations in the country.
As a way of paying homage to the Lady of Peñafrancia in Naga City in the Bicol region, PLDT powers up the Peñafrancia festival, one of the biggest religious and civic celebrations in the country.
PLDT and Smart have set up a consumer assistance booth at the Department of Trade and Industry (DTI) grounds in Makati City in support of the DTI’s Consumer Assistance Booth Camp which runs from October 23 – 25.

PLDT brought the ultimate festival experience at the 34th Kadayawan Festival as it powered the whole city with the fastest broadband network. Through the efforts of its Community Relations (ComRel) Division and Home Marketing, PLDT was also the festival silver sponsor during the event.
There is no doubt that this year’s MVP Olympics (MVPO) will be a good one. If last year’s MVPO taught us anything, it was one’s passion, determination, and drive that ultimately made PLDT bring back the crown as it was hailed once again as champions.

Mr. PLDT Toby Mejia and Ms. PLDT Sandra Pineda
January marks the opening of new chapters, the seeking of thrilling adventures, and the celebration of one of the country’s much awaited festivals Sinulog. A yearly grand festival in the beautiful City of Cebu, Sinulog is that time of the year when locals and tourists alike celebrate their devotion to Sto. Niño. PLDT, along with its wireless brand Sun, continued to make its presence felt in one of the country’s biggest festivals.
Paying homage to Sto. Niño
PLDT marks another year of supporting The Outstanding Young Men and Women (TOYM) Foundation. The Foundation honors outstanding individuals who continue to go above and beyond for the country. As TOYM Foundation Chairman, PLDT-Smart Chairman and CEO Manuel V. Pangilinan led the presentation of 11 TOYM 2018 honorees.

Every so often, the death knell of local music is rung. Some pop culture observer, often wistfully recalling the glory days of Rivermaya and Eraserheads, will come out with a scathing critique of our current musical landscape.
But I’ll let you in on a secret: OPM isn’t dead. Not even close. You just have to know where to look, and accept that things have changed. “Come on guys, it’s 2017.” (Lustre, 2017)